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1 audio mute
отключение звука
Подавление аудиосигнала от одного или всех источников. На передаче это означает, что отправитель аудиопотока выключает свой микрофон и/или совсем не передает никакого аудиосигнала. На приеме это означает, что принимающий терминал игнорирует входящий аудиопоток или выключает свой громкоговоритель (МСЭ-Т Н.323).
[ http://www.iks-media.ru/glossary/index.html?glossid=2400324]Тематики
- электросвязь, основные понятия
EN
Англо-русский словарь нормативно-технической терминологии > audio mute
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2 audio mute
• mykistäminen• ääniasteen mykistäminen -
3 mute
mju:t1) (unable to speak; dumb.) mudo2) (silent: She gazed at him in mute horror.) mudo3) ((of a letter) not sounded in certain words: The word `dumb' has a mute `b' at the end.) mudo•- mutelytr[mjʊːt]1 (dumb, silent) mudo,-a1 SMALLLINGUISTICS/SMALL mudo,-a2 (dumb person) mudo,-a3 SMALLMUSIC/SMALL sordina1 SMALLMUSIC/SMALL poner sordina a\SMALLIDIOMATIC EXPRESSION/SMALLdeaf mute sordomudo,-amute swan cisne nombre masculino♦ mutely advmute n1) : mudo m, -da f (persona)2) : sordina f (para un instrumento musical)adj.• mudo, -a adj.• silencioso, -a adj.n.• letra muda s.f.• mudo s.m.v.• apagar v.• silenciar (Teléfono) v.
I mjuːtadjective mudo
II
1) ( dumb person) mudo, -da m,f2)a) ( Mus) sordina fb) ( Audio) mute m
III
transitive verb ( Mus) ponerle* sordina a[mjuːt]1.ADJ mudo2. N1) (=person) mudo(-a) m / f2) (Mus) sordina f3) (Ling) letra f muda3.VT (Mus) poner sordina a; [+ noise] amortiguar; [+ feelings etc] acallar* * *
I [mjuːt]adjective mudo
II
1) ( dumb person) mudo, -da m,f2)a) ( Mus) sordina fb) ( Audio) mute m
III
transitive verb ( Mus) ponerle* sordina a -
4 Audio Controls
"A button in a conversation window that displays Audio Controls in the current conversation window. Audio Controls contain Call, Hang Up, Hold, Transfer, Dial Pad, Mute Microphone, Mute Speakers, and microphone and speaker volume control buttons." -
5 Audio Controls
"An item on the View menu that displays the toolbar of controls for audio calls. Audio Controls include a Call menu for the currently selected person, microphone and speaker controls, Mute, Hang Up, and Transfer buttons." -
6 Mute Microphone
A button on Audio Controls that mutes the user's microphone. -
7 Mute Speakers
A button on Audio Controls that mutes the user's speakers. -
8 der Mute-Knopf beim Audio-Mischpult
- {cough key}Deutsch-Vietnamesisch Wörterbuch > der Mute-Knopf beim Audio-Mischpult
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9 ääniasteen mykistäminen
• audio mute -
10 отключение звука
отключение звука
Подавление аудиосигнала от одного или всех источников. На передаче это означает, что отправитель аудиопотока выключает свой микрофон и/или совсем не передает никакого аудиосигнала. На приеме это означает, что принимающий терминал игнорирует входящий аудиопоток или выключает свой громкоговоритель (МСЭ-Т Н.323).
[ http://www.iks-media.ru/glossary/index.html?glossid=2400324]Тематики
- электросвязь, основные понятия
EN
Русско-английский словарь нормативно-технической терминологии > отключение звука
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11 mykistäminen
• quieting• muting• audio mute -
12 control
1) управление2) регулировка3) контроль•- active sound control
- adaptive picture control
- adaptive sound control
- amplified automatic gain control
- astatic control
- asynchronous control
- attenuator control
- audio-fidelity control
- audio-volume control
- automatic background control
- automatic balance control
- automatic bias control
- automatic brightness control
- automatic chroma control
- automatic chrominance control
- automatic coding control
- automatic color control
- automatic contrast control
- automatic fine tuning control
- automatic frequency control
- automatic gain control
- automatic light control
- automatic modulation control
- automatic overload control
- automatic phase control
- automatic picture control
- automatic power control
- automatic radio station control
- automatic selectivity control
- automatic sensitivity control
- automatic tint control
- automatic volume control
- axle orientation control
- background control
- balance control
- bass control
- black level control
- blue-gain control
- brightness control
- brilliance control
- built-in control
- calls flow control
- camera control
- capstan speed control
- carrier-current control
- centralized control
- chroma control
- chromacity control
- chrominance-gain control
- closed-loop control
- coarse control
- code control
- code-access control
- combined control
- command control
- common control
- communication control
- communications control
- computerized control
- continuity control
- contrast control
- convergence control
- cylinder phase control
- cylinder speed control
- data flow control
- data-link control
- data-recording control
- data-source control
- data-station control
- decentralized control
- delayed automatic gain control
- differential-gain control
- digital automatic gain control
- digital remote control
- direct control
- direct digital control
- direct numerical control
- discrete control
- distance control
- distributed control
- distribution control
- dual control
- dynamic resource control
- echo duration control
- echo return control
- echo tone control
- electronic control
- error control
- external control
- feedback control
- feedforward control
- fine tuning control
- flow control
- focusing control
- format control
- forwarding-execution control
- framing control
- frequency control
- frequency response control
- full logic control
- gain-sensitivity control
- green-gain control
- hardware control
- high-level data link control
- horizontal convergence control
- horizontal parabola control
- hue control
- incoming control
- indicator control
- indirect control
- input/output traffic control
- integrated control
- intensity control
- interference control
- internetwork control
- iris control
- isorhythmic channel access control
- job-processing control
- keyboard control
- keychain remote control
- line-load control
- logical-link control
- long-range control
- loudness control
- low-voltage control
- mail box containing control
- manual control
- master control
- MD/CD changer control
- medium access control
- middle control
- modulation depth control
- multibrand remote control
- mute control
- net control
- noiseless control
- noninteracting control
- nonreversible control
- on-line control
- open-loop control
- phase control
- phase-shift control
- photoelectric control
- photoelectric lighting control
- photoelectric smoke density control
- physical medium control
- point-to-point control
- preventive control
- process control
- programmable remote control
- progressive control
- purity control
- radio control
- reactive control
- Rec Balance control
- Rec Level control
- receiving termination control
- recording balance control
- red-gain control
- relay control
- remote control
- rheostatic control
- ringing control
- saturation control
- selectivity control
- sensor-based control
- separate control
- servo control
- sidetone control
- simple automatic gain control
- single button control
- SMART controls
- snap-acting control
- snap-action automatic gain control
- soft automatic control
- squelch control
- stage control
- static control
- steering wheel-mounted remote control
- step-by-step control
- subscriber's data control
- switching control
- synchronous data link control
- synchronous line control
- tapped control
- temperature control
- thermal electrostatic control
- time-transit automatic gain control
- time-varied gain control
- tone control
- touch-sensitive control
- transmitter gain control
- treble control
- tuning control
- two-mode control
- video operation control
- video-gain control
- voice control
- voice signal quality control
- volume control
- white balance control
- white-level control
- wire break controlEnglish-Russian dictionary of telecommunications and their abbreviations > control
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13 Ton
m; -(e)s, Töne1. (Geräusch) sound; (heller, dunkler Ton) auch tone; er hat keinen Ton gesagt oder von sich gegeben he didn’t say ( oder utter) a word; keinen Ton herausbringen (heiser sein etc.) have lost one’s voice; (gehemmt sein etc.) not open one’s mouth, not utter a word; keinen Ton mehr! not another word!2. MUS., einzelner: note, Am. auch tone; (Tonhöhe) pitch, note; (Klang) tone, sound, ring; ganzer / halber Ton whole tone / semitone; den Ton angeben give the note3. fig. in Wendungen: den Ton angeben (befehlen) call the tune; (die Atmosphäre bestimmen) set the tone; in den höchsten Tönen reden von oder loben umg. sing the praises of, praise s.o. to the skies oft iro.; große Töne spucken umg. talk big, brag; hast du oder hat man Töne? umg. would you believe it?, did you ever hear the like (of that)?; na bitte, das sind schon ganz andere Töne umg. that’s more like it, that’s what I want to hear3. nur Sg.; TV, Film: sound; Bild und Ton sind ausgefallen the sound and the picture have both gone; siehe auch anschlagen I 35. nur Sg.; (Sprechweise) tone; ich verbitte mir diesen Ton I will not be spoken to like that ( oder in that tone); ( bitte) nicht in diesem Ton! (please) don’t take that tone with me!; der Ton macht die Musik it’s not what you say but how you say it; den richtigen Ton treffen strike the right note, find the right approach, pitch it (just) right; einen anderen / schärferen Ton anschlagen take a different / more aggressive tone ( oder approach); einen unmöglichen etc. Ton am Leib haben umg. have an appalling etc. manner ( oder way of putting things)6. nur Sg.: der gute Ton good taste; zum guten Ton gehören be (a matter of) good taste ( oder good form altm. oder iro.); gegen den guten Ton verstoßen not be in good taste7. (Farbton) tone; (Nuance) auch shade; Ton in Ton Kleidung: in matching shades; einen Ton zu hell etc. a bit ( oder slightly) (too) light etc., a little on the light etc. side—* * *der Ton(Betonung) stress;(Farbton) tone; shade; hue;(Geräusch) sound; note;(Tonerde) clay* * *I [toːn]m -(e)s, -e(= Erdart) clay IIm -(e)s, -e['tøːnə]1) (= Laut) sound (AUCH RAD, FILM, COMPUT); (von Zeitzeichen, im Telefon) pip; (= Klangfarbe) tone; (MUS) tone; (= Note) notehalber Tón — semitone
ganzer Tón — tone
den Tón angeben (lit) — to give the note; (fig) (Mensch) to set the tone; (Thema, Farbe etc) to be predominant
keinen Tón herausbringen or hervorbringen — not to be able to say a word
keinen Tón sagen or von sich geben — not to make a sound
er hat keinen Tón von sich hören lassen (fig) — we haven't heard a word or a peep (inf) from him
hast du or hat der Mensch Töne! (inf) — did you ever! (inf)
jdn in (den) höchsten Tönen loben (inf) — to praise sb to the skies, to praise sb highly
3) (= Redeweise, Umgangston) tone; (= Atmosphäre) atmosphereden richtigen Tón finden — to strike the right note
ich verbitte mir diesen Tón — I will not be spoken to like that
er hat einen unverschämten Tón am Leib(e) or am Hals (inf) — he's very cheeky (Brit) or fresh (US)
einen anderen Tón anschlagen — to change one's tune
der Tón macht die Musik (prov) — it's not what you say but the way that or how you say it
der gute Tón — good form
4) (= Farbton) tone; (= Nuance) shade* * *der1) (a soft, sticky type of earth which is often baked into pottery, china, bricks etc.) clay2) (a musical sound: The song ended on a high note.) note3) (the impression created in the mind by a piece of news, a description etc: I didn't like the sound of her hairstyle at all!) sound4) ((the quality of) a sound, especially a voice: He spoke in a low/angry/gentle tone; He told me about it in tones of disapproval; That singer/violin/piano has very good tone.) tone5) (in music, one of the larger intervals in an octave eg between C and D.) tone* * *Ton1<-[e]s, -e>[to:n]m clayTon2<-[e]s, Töne>[to:n, pl tø:nə]m1. (hörbare Schwingung) soundhalber/ganzer \Ton MUS semitone/toneich will keinen \Ton mehr hören! not another sound!keinen \Ton herausbringen [o hervorbringen] to not be able to utter a word4. (Tonfall) toneeinen \Ton am Leibe haben (fam) to be [very] rudeeinen schärferen/vorsichtigeren \Ton anschlagen to strike a harsher/softer noteeinen anderen \Ton anschlagen to change one's tuneich verbitte mir diesen \Ton! I will not be spoken to like that!5. (Farbton) shade, tone\Ton in \Ton tone in tone6.▶ den \Ton angeben to set the tone▶ der gute \Ton etiquette* * *Ider; Ton[e]s, Tone clayIIder; Ton[e]s, Töne1) (auch Physik, Musik; beim Telefon) tone; (Klang) note2) (Film, Ferns. usw., Tonwiedergabe) sound3) (Sprechweise, UmgangsTon) tone4) (ugs.): (Äußerung) wordhast du/hat der Mensch [da noch] Töne? — that's just unbelievable
große Töne reden od. spucken — (ugs.) talk big
5) (FarbTon) shade; tone6) (Akzent) stress* * *Ton1 m; -(e)s, Tönevon sich gegeben he didn’t say ( oder utter) a word;keinen Ton herausbringen (heiser sein etc) have lost one’s voice; (gehemmt sein etc) not open one’s mouth, not utter a word;keinen Ton mehr! not another word!ganzer/halber Ton whole tone/semitone;den Ton angeben give the note3. fig in Wendungen:große Töne spucken umg talk big, brag;hat man Töne? umg would you believe it?, did you ever hear the like (of that)?;na bitte, das sind schon ganz andere Töne umg that’s more like it, that’s what I want to hear3. nur sg; TV, FILM sound;4. (Betonung, auch fig) accent, stress, emphasisich verbitte mir diesen Ton I will not be spoken to like that ( oder in that tone);(bitte) nicht in diesem Ton! (please) don’t take that tone with me!;der Ton macht die Musik it’s not what you say but how you say it;den richtigen Ton treffen strike the right note, find the right approach, pitch it (just) right;einen anderen/schärferen Ton anschlagen take a different/more aggressive tone ( oder approach);6. nur sg:der gute Ton good taste;gegen den guten Ton verstoßen not be in good tasteTon in Ton Kleidung: in matching shades;Ton2 m; -s, -e, meist sg; GEOL clay;in Ton modellieren model in ( oder with) clay* * *Ider; Ton[e]s, Tone clayIIder; Ton[e]s, Töne1) (auch Physik, Musik; beim Telefon) tone; (Klang) note2) (Film, Ferns. usw., Tonwiedergabe) sound3) (Sprechweise, UmgangsTon) tone4) (ugs.): (Äußerung) wordhast du/hat der Mensch [da noch] Töne? — that's just unbelievable
große Töne reden od. spucken — (ugs.) talk big
5) (FarbTon) shade; tone6) (Akzent) stress* * *¨-e (geol.) m.clay n. ¨-e m.audio n.chime n.sound n.tone n. -
14 key
1) ключ; переключатель2) кнопка; клавиша3) телеграфный ключ, манипулятор; работать телеграфным ключом, манипулировать4) вчт. код, шифр•- adaptive current-controlled key
- All Messages key
- alphameric key
- alphanumeric key
- analog key
- answering key
- Answering Unit Lock key
- Answering Unit On key
- Ant key
- arrow keys
- assignment key
- Asterisk key
- Audio Mixing key
- authentication key
- Auto Store key
- Band key
- break key
- bridge key
- busy key
- calibration test key
- call key
- calling key
- cam key
- Cancel key
- Caps Lock key
- caption key
- Carriage return key
- check key
- chroma key
- ciphering key
- Clear key
- clearing key
- closed key
- code key
- collector key
- Confidential Mailbox key
- contactless key
- contactor key
- Contrast key
- Contrast selector key
- Control key
- Copy key
- Cut-in key
- Cut-out key
- Darker key
- Dedicated-Message key
- Delayed-Polling key
- Delayed-Transmission key
- Delete key
- dial key
- Dial Tone key
- digital keys
- Directory key
- disk key
- Display/Clock key
- diver-telephone key
- DT key
- DUB key
- electronic key
- enciphering key
- encryption key
- End key
- Energy Saver key
- Enter key
- Erase key
- Esc key
- Escape key
- Extra key
- F1 key
- F2 key
- F3 key
- Fade-in key
- Fade-out key
- feed key
- Fine key
- Flash key
- function key
- functional key
- Game/Digital Preset keys
- Greeting Rec key
- Greeting Recording key
- Greeting Select key
- Halftone key
- Halftone selector key
- Handsfree key
- hanged key
- Headset key
- Help key
- HI-LITE key
- Hold key
- Home key
- identification key
- Insert key
- integral key
- intelligent key
- interruption key
- lighted key
- line disconnection key
- Line Spacing key
- linear feedback key
- listening and speaking key
- load key
- Local Mode On key
- locking key
- Lower key
- magnetic key
- mail box key
- measure key
- menu key
- M-key
- Mode key
- monitoring key
- mono/tuner key
- Mute key
- Navi key
- new message key
- Num Lock key
- numbered key
- n-wire key
- open key
- open/close key
- operating key
- optron key
- P+/P-keys
- Page Down key
- Page Up key
- Party Line Ringing key
- Pause Break key
- Pause key
- Phase key
- plug key
- Polarity key
- power key
- previous program key
- Print Screen key
- Priority key
- private key
- programmable key
- protection key
- public key
- pulsing key
- Recall key
- RECEIVE MODE key
- receiving key
- Reception key
- Reception mode key
- Reception/Transmission key
- Reception/Transmission mode key
- redial key
- Redial/Pause key
- reed key
- Relay Broadcast key
- releasing key
- Repeat key
- Reperforator ON/OFF key
- Report key
- Reset key
- Resolution key
- Resolution selector key
- reverse key
- ring-back key
- ringing key
- running key
- Scroll key
- Scroll Lock key
- Search key
- selector key
- semiconductor key
- sending key
- session key
- SET key
- Shift key
- signaling key
- Skipping key
- slave key
- soft key
- SOUND MODE key
- sounder key
- Space key
- speaking key
- specific key
- splitting key
- Stamp key
- STANDBY key
- Start key
- Stop key
- stopless key
- Store key
- Super key
- switch key
- Switch Teletext ON/OFF key
- switching key
- Tab key
- Tabulation key
- Talk key
- talk ringing key
- talking key
- tape eject key
- telegraph key
- Telephone Registration key
- thyristor key
- Tone key
- transfer key
- transistor key
- Transmission Speed Selector key
- TTI key
- Tuner/Band key
- Turbo-dial key
- turn key
- unique key
- User Data key
- User Sw. key
- V-key
- Volume key
- Yes/No keysEnglish-Russian dictionary of telecommunications and their abbreviations > key
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15 D
D, d (n. indecl., sometimes f. sc. littera), the flat dental mute, corresponding in character and sound to the English d and the Greek D, was the fourth letter of the Latin alphabet, and was called de: Ter. Maur. p. 2385 P., Auson. Idyll. 12, de Litt. Monos. 14. But at the end of a syllable, or after another consonant, its sound was sharpened, so that the grammarians often discuss the question whether d or t should be written, especially in conjunctions and prepositions. Illa quoque servata est a multis differentia, ut ad cum esset praepositio, d litteram, cum autem conjunctio, t acciperet (Quint. 1, 7, 5; cf. id. 1, 4, 16). Hence we may infer that some disputed this distinction, and that the sounds of ad and at must at least have been very similar (cf. also Terent. Scaur. p. 2250, Vel. Long. p. 2230 sq., Cassiod. p. 2287, 2291). Thus also aput, it, quit, quot, aliut, set, haut are found for apud, id, quid, quod, aliud, sed, haud. It would appear from the remarks of these authors that the last two words in particular, having a proclitic character, while they distinctly retained the d sound before an initial vowel in the following word, were pronounced before a consonant almost as set, haut (Mar. Vict. p. 2462 P., Vel. Long. l. l. v. Corss. Ausspr. 1, 191 sq.). The use of t for d in the middle of a word, as Alexenter for Alexander, atnato for adnato, is very rare (cf. Wordsworth, Fragm. p. 486 sq.). On the other hand, the use of d for t, which sometimes appears in MSS. and inscrr., as ed, capud, essed, inquid (all of which occur in the Cod. palimps. of Cic. Rep.), adque, quodannis, sicud, etc., fecid, reliquid, etc. (all in inscriptions after the Augustan period), is to be ascribed to a later phonetic softening (cf. Corss. Ausspr. 1, 191 sq.).II.As an initial, the letter d, in pure Latin words, suffers only a vowel after it; the single consonantal compound dr being found only in borrowed words, such as drama, Drusus, Druidae, etc., and in the two onomatopees drenso and drindio. Accordingly, the d of the initial dv, from du, was rejected, and the remaining v either retained unaltered (as in v iginti for du iginti; cf. triginta) or changed into b (as in b ellum, b is, b onus, for du ellum, du is, du onus; v. those words and the letter B). So too in and after the 4th century A.D., di before vowels was pronounced like j (cf. J ovis for Dj ovis, and J anus for Di anus); and hence, as the Greek di ( di) passed into dz, i. e. z (as in z a for d ia, and z eta for di aeta), we sometimes find the same name written in two or three ways, as Diabolenus, Jabolenus, Zabolenus; Jadera, Diadora, Zara. In many Greek words, however, which originally began with a y sound, d was prefixed by an instinctive effort to avoid a disagreeable utterance, just as in English the initial j has regularly assumed the sound of dj: thus Gr. zugon, i. e. diugon = L. jugum; and in such cases the d sound has been prefixed in Greek, not lost in Latin and other languages (v. Curt. Griech. Etym. p. 608 sq.).b. As a medial, d before most consonants undergoes assimilation; v. ad, no. II.; assum, init., and cf. iccirco, quippiam, quicquam, for idcirco, quidpiam, quidquam; and in contractions like cette from cedite, pelluviae from pediluviae, sella from sedela. In contractions, however, the d is sometimes dropped and a compensation effected by lengthening the preceding vowel, as scāla for scand-la. D before endings which begin with s was suppressed, as pes from ped-s, lapis from lapid-s, frons from frond-s, rasi from radsi, risi from rid-si, lusi from lud-si, clausi from claud-si; but in the second and third roots of cedo, and in the third roots of some other verbs, d is assimilated, as cessi, cessum, fossum, etc. D is also omitted before s in composition when another consonant follows the s, as ascendo, aspicio, asto, astringo, and so also before the nasal gn in agnatus, agnitus, and agnosco, from gnatus, etc.: but in other combinations it is assimilated, as assentio, acclamo, accresco; affligo, affrico; agglomero, aggrego; applico, approbo, etc. In tentum, from tendo, d is dropped to avoid the combination ndt or ntt, since euphony forbids a consonant to be doubled after another.g. Final d stood only in ad, apud, sed, and in the neuter pronouns quid, quod, illud, istud, and aliud, anciently alid. Otherwise, the ending d was considered barbarous, Prisc. p. 686 P.III.The letter d represents regularly an original Indo-Germanic d, in Greek d, but which in German becomes z, in Gothic t, and in Anglo-Saxon t: cf. Gr. hêdomai, Sanscr. svad, Germ. süss, Angl.-Sax. svēte (sweet), with Lat. suadeo; domare with Gr. damaô, Germ. zähmen, Eng. tame; domus with demô, timber, O. H. Germ. zimber; duo with duô, zwei, two. But it is also interchanged with other sounds, and thus sometimes represents—1. 2.An original r: ar and ad; apur or apor and apud; meridies and medidies, audio and auris; cf. arbiter, from ad-beto; arcesso for ad-cesso.—3.An original l: adeps, Gr. aleipha; dacrima and lacrima, dingua and lingua; cf. on the contrary, olere for odere, consilium and considere, Ulixes from Odusseus (v. Corss. Ausspr. 1, 223).—4.An original s: Claudius, from the Sabine Clausus, medius and misos; and, on the contrary, rosa and rhodon. —5. IV.In the oldest period of the language d was the ending of the ablat. sing. and of the adverbs which were originally ablatives (cf. Ritschl, Neue Plaut. Excur. I.; Brix ad Plaut. Trin. Prol. 10): pu CNANDO, MARID, DICTATORED, IN ALTOD MARID, NAVALED PRAEDAD on the Col. Rostr.; DE SENATVOS SENTENTIAD (thrice) IN OQVOLTOD, IN POPLICOD, IN PREIVATOD, IN COVENTIONID, and the adverbs SVPRAD SCRIPTVM EST (thrice), EXSTRAD QVAM SEI, and even EXSTRAD VRBEM, in S. C. de Bacch. So intra-d, ultra-d, citra-d, contra-d, infra-d, supra-d; contro-d, intro-d, etc.; and probably interea-d, postea-d. Here too belongs, no doubt, the adverb FACILVMED, found in the last-mentioned inscription. But this use of the d became antiquated during the 3d century B.C., and is not found at all in any inscription after 186 B. C. Plautus seems to have used or omitted it at will (Ritschl, Neue Plaut. Excurs. p. 18: Corss. Ausspr. 1, 197; 2, 1008).2.D final was also anciently found—a.In the accus. sing. of the personal pronouns med, ted, sed: INTER SED CONIOVRASE and INTER SED DEDISE, for inter se conjuravisse and inter se dedisse, in the S. C. de Bacch. This usage was retained, at least as a license of verse, when the next word began with a vowel, even in the time of Plautus. But in the classic period this d no longer appears. —b.In the imperative mood;c.as estod,
Fest. p. 230. The Oscan language retained this ending (v. Corss. Ausspr. 1, 206).—In the preposition se-, originally identical with the conjunction sed (it is retained in the compound seditio); also in red-, prod-, antid-, postid-, etc. ( redire, prodire, etc.); and in these words, too, it is a remnant of the ancient characteristic of the ablative (v. Corss. Ausspr. 1, 200 sq.; Roby, Lat. Gr. 1, 49).V.As an abbreviation, D usually stands for the praenomen Decimus; also for Deus, Divus, Dominus, Decurio, etc.; over epitaphs, D. M. = Diis Manibus; over temple inscriptions, D. O. M. = Deo Optimo Maxumo; in the titles of the later emperors, D. N. = Dominus Noster, and DD. NN. = Domini Nostri. Before dates of letters, D signified dabam, and also dies; hence, a. d. = ante diem; in offerings to the gods, D. D. = dono or donum dedit; D. D. D. = dat, dicat, dedicat, etc. Cf. Orell. Inscr. II. p. 457 sq.► The Romans denoted the number 500 by D; but the character was then regarded, not as a letter, but as half of the original Tuscan numeral (or CI[C ]) for 1000. -
16 d
D, d (n. indecl., sometimes f. sc. littera), the flat dental mute, corresponding in character and sound to the English d and the Greek D, was the fourth letter of the Latin alphabet, and was called de: Ter. Maur. p. 2385 P., Auson. Idyll. 12, de Litt. Monos. 14. But at the end of a syllable, or after another consonant, its sound was sharpened, so that the grammarians often discuss the question whether d or t should be written, especially in conjunctions and prepositions. Illa quoque servata est a multis differentia, ut ad cum esset praepositio, d litteram, cum autem conjunctio, t acciperet (Quint. 1, 7, 5; cf. id. 1, 4, 16). Hence we may infer that some disputed this distinction, and that the sounds of ad and at must at least have been very similar (cf. also Terent. Scaur. p. 2250, Vel. Long. p. 2230 sq., Cassiod. p. 2287, 2291). Thus also aput, it, quit, quot, aliut, set, haut are found for apud, id, quid, quod, aliud, sed, haud. It would appear from the remarks of these authors that the last two words in particular, having a proclitic character, while they distinctly retained the d sound before an initial vowel in the following word, were pronounced before a consonant almost as set, haut (Mar. Vict. p. 2462 P., Vel. Long. l. l. v. Corss. Ausspr. 1, 191 sq.). The use of t for d in the middle of a word, as Alexenter for Alexander, atnato for adnato, is very rare (cf. Wordsworth, Fragm. p. 486 sq.). On the other hand, the use of d for t, which sometimes appears in MSS. and inscrr., as ed, capud, essed, inquid (all of which occur in the Cod. palimps. of Cic. Rep.), adque, quodannis, sicud, etc., fecid, reliquid, etc. (all in inscriptions after the Augustan period), is to be ascribed to a later phonetic softening (cf. Corss. Ausspr. 1, 191 sq.).II.As an initial, the letter d, in pure Latin words, suffers only a vowel after it; the single consonantal compound dr being found only in borrowed words, such as drama, Drusus, Druidae, etc., and in the two onomatopees drenso and drindio. Accordingly, the d of the initial dv, from du, was rejected, and the remaining v either retained unaltered (as in v iginti for du iginti; cf. triginta) or changed into b (as in b ellum, b is, b onus, for du ellum, du is, du onus; v. those words and the letter B). So too in and after the 4th century A.D., di before vowels was pronounced like j (cf. J ovis for Dj ovis, and J anus for Di anus); and hence, as the Greek di ( di) passed into dz, i. e. z (as in z a for d ia, and z eta for di aeta), we sometimes find the same name written in two or three ways, as Diabolenus, Jabolenus, Zabolenus; Jadera, Diadora, Zara. In many Greek words, however, which originally began with a y sound, d was prefixed by an instinctive effort to avoid a disagreeable utterance, just as in English the initial j has regularly assumed the sound of dj: thus Gr. zugon, i. e. diugon = L. jugum; and in such cases the d sound has been prefixed in Greek, not lost in Latin and other languages (v. Curt. Griech. Etym. p. 608 sq.).b. As a medial, d before most consonants undergoes assimilation; v. ad, no. II.; assum, init., and cf. iccirco, quippiam, quicquam, for idcirco, quidpiam, quidquam; and in contractions like cette from cedite, pelluviae from pediluviae, sella from sedela. In contractions, however, the d is sometimes dropped and a compensation effected by lengthening the preceding vowel, as scāla for scand-la. D before endings which begin with s was suppressed, as pes from ped-s, lapis from lapid-s, frons from frond-s, rasi from radsi, risi from rid-si, lusi from lud-si, clausi from claud-si; but in the second and third roots of cedo, and in the third roots of some other verbs, d is assimilated, as cessi, cessum, fossum, etc. D is also omitted before s in composition when another consonant follows the s, as ascendo, aspicio, asto, astringo, and so also before the nasal gn in agnatus, agnitus, and agnosco, from gnatus, etc.: but in other combinations it is assimilated, as assentio, acclamo, accresco; affligo, affrico; agglomero, aggrego; applico, approbo, etc. In tentum, from tendo, d is dropped to avoid the combination ndt or ntt, since euphony forbids a consonant to be doubled after another.g. Final d stood only in ad, apud, sed, and in the neuter pronouns quid, quod, illud, istud, and aliud, anciently alid. Otherwise, the ending d was considered barbarous, Prisc. p. 686 P.III.The letter d represents regularly an original Indo-Germanic d, in Greek d, but which in German becomes z, in Gothic t, and in Anglo-Saxon t: cf. Gr. hêdomai, Sanscr. svad, Germ. süss, Angl.-Sax. svēte (sweet), with Lat. suadeo; domare with Gr. damaô, Germ. zähmen, Eng. tame; domus with demô, timber, O. H. Germ. zimber; duo with duô, zwei, two. But it is also interchanged with other sounds, and thus sometimes represents—1. 2.An original r: ar and ad; apur or apor and apud; meridies and medidies, audio and auris; cf. arbiter, from ad-beto; arcesso for ad-cesso.—3.An original l: adeps, Gr. aleipha; dacrima and lacrima, dingua and lingua; cf. on the contrary, olere for odere, consilium and considere, Ulixes from Odusseus (v. Corss. Ausspr. 1, 223).—4.An original s: Claudius, from the Sabine Clausus, medius and misos; and, on the contrary, rosa and rhodon. —5. IV.In the oldest period of the language d was the ending of the ablat. sing. and of the adverbs which were originally ablatives (cf. Ritschl, Neue Plaut. Excur. I.; Brix ad Plaut. Trin. Prol. 10): pu CNANDO, MARID, DICTATORED, IN ALTOD MARID, NAVALED PRAEDAD on the Col. Rostr.; DE SENATVOS SENTENTIAD (thrice) IN OQVOLTOD, IN POPLICOD, IN PREIVATOD, IN COVENTIONID, and the adverbs SVPRAD SCRIPTVM EST (thrice), EXSTRAD QVAM SEI, and even EXSTRAD VRBEM, in S. C. de Bacch. So intra-d, ultra-d, citra-d, contra-d, infra-d, supra-d; contro-d, intro-d, etc.; and probably interea-d, postea-d. Here too belongs, no doubt, the adverb FACILVMED, found in the last-mentioned inscription. But this use of the d became antiquated during the 3d century B.C., and is not found at all in any inscription after 186 B. C. Plautus seems to have used or omitted it at will (Ritschl, Neue Plaut. Excurs. p. 18: Corss. Ausspr. 1, 197; 2, 1008).2.D final was also anciently found—a.In the accus. sing. of the personal pronouns med, ted, sed: INTER SED CONIOVRASE and INTER SED DEDISE, for inter se conjuravisse and inter se dedisse, in the S. C. de Bacch. This usage was retained, at least as a license of verse, when the next word began with a vowel, even in the time of Plautus. But in the classic period this d no longer appears. —b.In the imperative mood;c.as estod,
Fest. p. 230. The Oscan language retained this ending (v. Corss. Ausspr. 1, 206).—In the preposition se-, originally identical with the conjunction sed (it is retained in the compound seditio); also in red-, prod-, antid-, postid-, etc. ( redire, prodire, etc.); and in these words, too, it is a remnant of the ancient characteristic of the ablative (v. Corss. Ausspr. 1, 200 sq.; Roby, Lat. Gr. 1, 49).V.As an abbreviation, D usually stands for the praenomen Decimus; also for Deus, Divus, Dominus, Decurio, etc.; over epitaphs, D. M. = Diis Manibus; over temple inscriptions, D. O. M. = Deo Optimo Maxumo; in the titles of the later emperors, D. N. = Dominus Noster, and DD. NN. = Domini Nostri. Before dates of letters, D signified dabam, and also dies; hence, a. d. = ante diem; in offerings to the gods, D. D. = dono or donum dedit; D. D. D. = dat, dicat, dedicat, etc. Cf. Orell. Inscr. II. p. 457 sq.► The Romans denoted the number 500 by D; but the character was then regarded, not as a letter, but as half of the original Tuscan numeral (or CI[C ]) for 1000. -
17 automatic chrominance control
1. автоматическая регулировка яркости2. Автоматическая регулировка цветностиEnglish-Russian big polytechnic dictionary > automatic chrominance control
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18 control
1. регулирование, регулировка; управление; регулировать, управлять2. регулировочное устройство3. элементы системы управления4. автоматическое регулирование приводки5. устройство для автоматической регулировки приводки красок6. автоматическое регулирование боковой приводки7. устройство для автоматической регулировки боковой приводкиbackward-acting control — регулирование; регулировка
8. автоматическое регулирование натяжения9. устройство для регулировки натяжения10. регулирование приводки по окружности цилиндра11. устройство для регулировки приводки по окружности цилиндраclosed-loop control — замкнутый цикл контроля, контроль с обратной связью
12. контроль положения линии рубки; контроль положения линии поперечной резки13. автоматическое устройство, контролирующее положение изображения относительно линии рубкиdiaphragm control — номограмма, связывающая индекс диафрагмы с масштабом съёмки
14. управление экспозицией15. устройство для управления экспозициейgradation control — управление градацией; управление градационным процессом; контроль градации, регулирование градации
gripper control — управление захватами, регулировка захватов
highlight control — управление градацией «высоких светов», регулирование градационных характеристик «высоких светов»
16. регулировка подачи краски17. регулятор подачи краски18. регулирование режима работы передаточного валика по отношению к дукторному валу, регулирование передаточного валика19. устройство для регулирования режима работы передаточного валика20. регулирование продольной приводки21. устройство для регулировки долевой приводки22. регулирование боковой и продольной приводки23. устройство для регулировки боковой и продольной приводки24. контроль неподачи листов25. устройство, контролирующее неподачу листов26. регулировка положения валика печатного станка27. устройство для регулирования положения валика печатного станка28. авторегулирование натяжения с помощью пневматически нагруженного «плавающего» валика29. пневматическое устройство с «плавающим» валиком для авторегулирования натяжения30. регулирование окружного смещения формного цилиндра31. устройство для управления окружным смещением формного цилиндра32. управление экспозицией при копировании33. устройство для автоматического отсчёта времени экспонированияprint to cut register control — приводка рубки по печати, регулирование положения линии рубки ленты
34. регулирование приводки35. устройство для регулирования приводкиexchange control — валютный контроль; валютное регулирование
control margin — диапазон регулирования; диапазон управления
36. регулирование приводки на рабочем ходу37. устройство для регулирования приводки на рабочем ходу38. контроль подачи листов39. устройство, контролирующее подачу листов40. регулирование боковой приводки41. устройство для регулирования боковой приводкиtime control — управление временем, автоматический отсчёт времени
tonal control — управление градацией изображения или градационным процессом, регулирование градационной характеристики
42. управление движением лентыfailsoft control — управление с "мягким отказом"
43. устройство для контроля за движением ленты44. регулирование положения боковой кромки ленты45. устройство для выравнивания ленты46. управление длиной подачи ленты47. устройство для регулирования подачи лентыfeed control slide — заслонка, регулирующая подачу
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19 Stumm-
pref AUDIO, TELEKOM muting, mute -
20 Unmute Speakers
A button on Audio Controls that turns off mute on the user's speakers.
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